What We’ve Just Seen Is Not Real
October 18, 2007- November 24, 2007
Reception: October 18, 6:00 pm - 8:00 pm
636 W 28th St
Black and White Gallery // Chelsea is proud to present What We’ve Just Seen Is Not Real — the first
American solo exhibition of Dutch painter Michael Van Den Besselaar.
Taking its cue from Mr. Spock’s pronouncement on Star Trek as he, an alien, encounters mankind, “What
we’ve just seen is not real”, this exhibition offers a disturbing insight into the essential ambiguity of the
visual mass culture that has increasingly come to shape our collective psyche.
The Time Machine Mirror Series of paintings focuses on iconic images from the not-too-distant past,
infused with a highly contemporary message. Acknowledging the role of the TV as a deceptively objective
window on the world, Van den Besselaar proceeds to mock and thus deconstruct this symbol. The retro
TV sets from the early and nostalgic days of the medium either overlap and block each other off —
fighting for our attention, or are given a starring role in their own universe to communicate their
importance in shaping our perceptions of visual information.
The Heroes trilogy – Superheroes, Forgotten Terrorists and Larger Than Life, weaves a fabric of
independent but complementary experiences by portraying figures once dominating the mass media. Each
part imposes a time and a rhythm of its own, and like a film, fictional or documentary is linked to the
imaginative capacity of each individual, which gives rise to a host of interpretations.
In the Superheroes series temptation calls us as Superman, Batman, Catwoman, Wonder Woman, Flash
Gordon, Electra Woman, and Captain Marvel compete to win our hearts with all the Good they have done
fighting the Ultimate Evil. Even as the child in us prepares to plunge into the gooey goodness of their
fictional lives, the adult-self begins to recoil as we remember the disastrous event in each of their lives
that transformed them from mortals to heroes with superpowers.
Contrary to the bright and glossy painting approach used in Superheroes, the portraits of Patty Hearst,
Carlos the Jackal and others in the Forgotten Terrorists series look like aged newspaper photos. Painted
in black and white on small oblong canvases, these portraits give the impression of passport photos of
pleasant young people in the prime of their lives.
In Larger Than Life series Van den Besselaar moves from non-existent and questionable heroes to dead
heroes. The small and fragile pencil on paper portraits of dead people invite viewers to come closer to pay
respect to those whose persona is “larger than life” but resumes human proportions in death. Marilyn
Monroe is no longer a sex symbol but a sad and unrecognizable older woman. Some retained their power
even on their deathbeds, (John F. Kennedy, Ayatollah Khomeini and Trotsky), and others appear peaceful
but powerless (James Brown, Mother Teresa and Martin Luther King).
The rooms in the Lethal Chambers series are brightly illuminated and void of human presence. These are
not the rooms we recognize from our own experiences but rather from newspapers, magazines and TV.
They appear quiet and sterile arousing suspicion of their possible connection with life and death.
Michael Van den Besselaar’s oeuvre leaves room for doubt and uncertain perception. From his choice of
images that suggest something else than what is obvious to the eye, a critical position emerges resisting
all forms of facile seduction and claims to authoritarian truth – what we’ve just seen is not real, or at least
it’s not the only reality.
Michael Van den Besselaar graduated from the Royal Academy of Fine Arts, The Hague, in The
Netherlands (1988). He is the recipient of several prestigious awards, such as the Haagse Salon Publics
Prize, Haagse Salon Prize, the Grant Startstipendium, and the Karel Klinkenberg Prize. Van den
Besselaar’s work is in major private and public collections, such as the Museum of Modern Art, Den Haag,
The Netherlands, the Museum Boijmans van Beuningen, Rotterdam, The Netherlands and others.
Books and DVDs related to artists in this show| Location | | | Gallery | Black & White Gallery | | Address | 636 W 28th St New York (Chelsea) NY, 10001 United States | | Phone | 212-244-3007 | | Fax | 212-244-3312 | | Hours | Tue-Fri 11-6 | |
| |
|