Ghost Hardware
May 24, 2008- July 11, 2008
Reception: May 24, 6:00 pm - 8:00 pm
537A W 23rd St
Daniel Reich Gallery is very pleased to present a new solo exhibition
by
Sean Dack, Ghost Hardware, featuring new photographs and sculpture.
Sean Dackıs new photographs expound upon Dackıs pursuit of the
cryptography of digital images and the unpredicted errors intrinsic to
their transmission. Malformed and missing crucial ³blocks² of data,
such images belie the digital nature of our illustionistic virtual
world: abrasive ruptures while watching a DVD (causing one to manually
tap the player) or while loading an image in ones computer Browser.
Rendered in dubiously pop CMYK cyans, hot pinks and electric blues:
Dackıs partially decipherable subjects appear dynamic and mobile. Yet
since digital ³glitches,² tangle and halt the flow of information,
Dackıs ³stopped² images seem to express an isolated impersonal world.
This impersonal world is hermetic outside of the orbit of the world
at large enclosed in the obsessive-compulsive space of computer
screen work and folly. A helicopter hovers, the ostentatious rounded
terraces of a postmodern hotel signify grotesque vacuous luxury, and
the faces of glamorous women are obscured by formal pixel blocks. As
the resolution of digital images has improved in a few decades, the
appearance of the evident square of the pixel is nostalgic yet tinged
with the recollection of non-user-friendly computing: not completely
enveloping computing distinguished by its imperfect pixilated line and
the healthy differentiation between daily life which is merely mapped
instead of replicated. As Dackıs colors are garish, his pixels are
aesthetically dubious: evocative of early ³computer drawing² and ³poor
taste² is also at issue in Dackıs work. And yet Dackıs glossy prints
are formal and function sculpturally as seductive reflective slabs.
In this way, there are aspects of Jacques Derridaıs concept of
³hauntology². As Derridaıs theory of ³hauntology² has recently been
ascribed to music and popular culture, it is the glimmering,
shimmering and suggested a quality attributable to Dackıs prints and
sculptures. In the distant ³reality² ³obscured² by Dackıs formal
pixel stripes, there is a heady mystery in terms of indecipherable
action beneath the pixels, the color and the gloss of the print. And
in the midst of a day-glow palate, there is foreboding and blocky
subsumed death as though one is among bright ghosts and half rendered
covert actions. Yet this same day-glow formal block quality has a
modish goofy celebratory insouciance in rambling irregular staggered
bars of information.
The loss of capacity to relay meaning is also captured in Dack's
excellent Ghost Hardware sculptures in attractive candy primary
colors. These works are John McCracken-like: cast in bright hues
making the oblongs of obsolete stereo components (tape deck, multi
disk c.d. changer etc.) into formal sculptures. While their largess,
once made them enticing objects emblematic of auditory superiority,
they now have a mute slab like quality albeit bright yet bleak in
their import.
Recently, Dack participated in ³The Hidden² at Maureen Paley in
London. His solo show at Fred Snitzer Gallery in Miami was
exceptionally received. In the past year, he has exhibited at the
Moore Space, The Moscow Biennial, and in a Peter Coffin curated
exhibition at Frank Elbaz in Paris. Last summer Dack produced the book
Future Songs as a mail exhibition in conjunction with
Daniel Reich Gallery.
Dack has also exhibited at Hiromi Yoshi in Tokyo and will be included in
³The Future as Disruption² at The Kitchen this summer. For additional
information, please contact
Daniel Reich Gallery at 212 924 4949. The
gallery is open Tuesday through Saturday from 11:00 a.m. 6:00 p.m.
Books and DVDs related to artists in this show| Location | map | | Gallery | Daniel Reich Gallery | | Address | 537A W 23rd St New York (Chelsea) NY, 10011 United States | | Phone | 212-924-4949 | | Hours | Tue-Sat 11-6 | |
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