Ian Davis: Paintings
January 26, 2007- March 10, 2007
535 W 22nd St
Ian Davis incorporates the systems and geometry of minimalism within a descriptive style of
painting that is timeless in its simplicity. His first one-person show in New York includes
twelve paintings produced within the past year as well as a large work on paper.
An illustrated catalogue, featuring a conversation with the artist, will be published by the
gallery on the occasion of this exhibition.
Favoring the depiction of entropic situations over specific narrations, in Davis’s universe
systems crash and things fall apart. Whether populated or not (very often by groups of
identically dressed men), all of his works retain a strong masculine presence, tinged by
sardonic humor.
In Auditorium, hundreds of men sit in chairs, facing a central podium, waiting for the
announcement that is never made or the leader who never appears. Two related works,
Corporation and Doldrum, depict archaic industrial structures, the former a benign
observation of what a factory does and the latter, a more sinister rendering of what a
factory is.
Davis’s figures are iconic representations — soldiers in period costumes, prisoners in stripes,
businessmen in skinny black suits — in which the uniform is a formal device that underscores
his interest in ideas rather than individuals. Patterning and repetition are used to engender
structure and meaning while providing the artist with a kind of trancelike process that enables
him to become hypnotically involved in the act of painting itself.
Ian Davis was born in Indianapolis in 1972. He received a BFA in Painting at Arizona State
University in 1994 and attended the Summer Residency Program at the Skowhegan School of
Painting and Sculpture in 2005. A one-person exhibition of his paintings took place in January
2006 at the Acuna-Hansen Gallery in Los Angeles. He has lived in San Francisco, Chicago, and
Brooklyn and currently maintains a studio in Hoboken, New Jersey.
Art Reviews of Ian Davis: Paintings
New York Times March 2, 2007 | | Roberta Smith | | "At a moment when art veers between the extremes of social volunteerism and images suitable for New Yorker magazine covers, the paintings in the solo debut of Ian Davis fall into the latter category. They are funny and fun to look at, and they make you think, but their fussy scale also makes them feel like big, clever illustrations that would be as effective in reproduction as on a wall...." |
Books and DVDs related to artists in this show
© 2005-2008 chelseaartgalleries.com
The information on this page is provided "as is", and might be incorrect, incomplete and/or out of date. The site owner makes no representation as to the accuracy of the information or its suitability for any purpose. The owner disclaims any liability for errors that may be contained therein.
sitemap
|