| New York Times March 10, 2006 | Roberta Smith | "Every work conspires with or sheds light on it neighbors. The male body in rapture dominates works by Christopher Rauschenberg, Jeff Davis and Charles Henri Ford. The bird forms of Indra Tamang's Ernst-like 1979 collage become real in Michelle Elzay's handsome 2005 photograph of a barred owl...." |
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