| New York Times December 8, 2006 | Roberta Smith | "Maybe George Ortman will finally get the attention he deserves. He belongs to that small club of erstwhile neglected artists who share the distinction of having been reviewed admiringly in Arts magazine in the early 1960s by the sculptor (and then critic) Donald Judd. Other members include John Wesley and Lee Bontecou, and to some extent Ken Price; the Judd imprimatur wasn’t the only reason they gained visibility, but it helped...." |
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