| New York Times June 9, 2006 | Holland Cotter | "...It is tempting to fit Mr. Byars into existing slots: performance art, Minimalism, Conceptualism, whatever. But, like the European artists to whom he felt closest, Marcel Broodthaers and Joseph Beuys, he resists this. His extravagance and his privacy combine to keep him outside the fold, making him too precious for some, too inscrutable for others...." |
| ||||||||||||||||
|
© 2005-2008 chelseaartgalleries.com The information on this page is provided "as is", and might be incorrect, incomplete and/or out of date. The site owner makes no representation as to the accuracy of the information or its suitability for any purpose. The owner disclaims any liability for errors that may be contained therein. sitemap |
| Sponsors | ||
| Advertisement | ||
Upcoming Guided Tours | ||
Recently Added Art Books | ||
| ||
| Advertisement | ||