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Email PageBach to Congo
December 7, 2006- January 27, 2007
Aime Mpane
Skoto Gallery
529 W 20th St Aime Mpane Congo, l’ombre de l’ombre (Congo, Shade of the Shade) (2005) |
Aime Mpane’s work is informed by a political consciousness that came out of his experience, an awareness of Africa’s colonial history and an ability to track and highlight the ironies and injustice which characterize the relationships that evolved between Africa and Europe since the Berlin Conference of 1885 which divided Africa into artificial territories of European control. Much of the interest of the imperialist nations was in the Congo region of Central Africa, upon which King Leopold of Belgium had set his eyes for its rich human and natural resources. The violent atrocities that ensued during this period of exploitation and domination are well documented and continue to affect modern Congolese society.
His hauntingly beautiful installations combine sculpture and found objects to evoke the expansive possibilities of life and art while questioning the human condition of the people caught within this painful colonial history. He acknowledges the past and offers a redemptive vision for the present, the future and hopes of Africa renewal by forcing viewers to conjure pictures in their mind’s eye. Included in the show is the installation “Congo, l’ombre de l’ombre (Congo, Shade of the Shade), 2005 which will be on view for the first time in New York. It was last exhibited at the 2006 Dak’art – Dakar Biennial in Senegal where it won the first prize of the coveted Fondation Jean Paul Blachere (France) Critics Award.
The centerpiece of the installation is a life-size figure intricately assembled, using 4,652 stems of matches glued together and standing solemnly in front of three tombstones made from wooden cut-outs as human shapes lying on the floor. Congo…1885 is handwritten on a cross that sits atop of the middle tombstone, a pair of worn-leather shoes is placed at the feet another. There is a poetic and theatrical quality to the installation as light transforms the figure’s open sculptural form, casting a long shadow on the wall and ceiling of the space around it. The shadow looms over the work and gives it a temporal dimension - an allusion to how events of that fateful Berlin Conference of 1885 still impact heavily on the socio-political realities of Congo today. Unlike the bronze monuments of Africa’s colonial conquerors, Aime’s installation uses fragile materials to pay homage to the departed while serving as a means of eliciting a contemplative and emotional response from the viewer.
Aime Mpane was born 1968 into a family of artists in Kinshasa, Congo. He graduated in Sculpture from the Academie des Beaux-Arts, Kinshasa in 1990 and Ecole National Superieure des Arts Visuels de La Cambre, Bruxelles, Belgium in 2000, He presently teaches Sculpture at the Academie International d’Ete de Wallonie, Libramont, Belgium and as a Visiting Professor at the Academie des Beaux-Art in Kinshasa. Exhibitions include Havana Biennial 2003 ; Africa for Africa, Palais des Beaux-Arts, Bruxelles 2003, Musee de Katanga, Lubumbashi, Congo 2002, Africa Sana, Quai Antoine Ier, Monaco 2001 and Centre Cultural Français, Kinshasa in 1991.
Art Reviews of Bach to Congo
| New York Times January 19, 2007 | Holland Cotter | "As one of New York’s very few full-time commercial spaces devoted mainly to contemporary African art, Skoto Gallery is worth keeping an eye on. Its present show is a strong solo by the Congolese-born artist Aime Mpane, who divides his time between Kinshasa and Brussels...." |
Books and DVDs related to artists in this show
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