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Email PageDisavowal
April 4, 2008- May 10, 2008
Reception: April 4, 6:00 pm - 8:00 pm
Mark Wyse
Wallspace
619 W 27th StDisavowal is an engagement with our conflicted relationship to desire. If in a crude sense modernism is an embrace of desire and postmodernism is a critique of that desire, this show seeks to commingle the two. In doing so it explores key works by both contemporary and historical artists who restrain, displace, or distance desire with the intentional, or unintentional effect of accentuating desire. This show takes as its premise that desire intensifies in relation to restraint.
This show started as an act of curation. Wallspace asked me to curate a show of photographs. I quickly realized I was at the mercy of the artists I wanted to include and the availability of historical pieces.
This was unacceptable. It only made sense to not submit to the control and intentions of the artists I wished to show. The unintentional or disavowed aspect of their work was what I wanted to see. The solution dictated me cutting into my books, to show precisely the objects that had formed my thinking about the work. To show the reproductions themselves, by framing the reproductions. My desire was to shift the context to a context of individuals. In this sense I think of my show as a show of portraits, portraits of desire, as if each person’s psyche was in the room.
- Mark Wyse, March 2008
Alexander Gardner, Alfred Stieglitz, Allan Sekula, Andrew Bush, Andrew Freeman, Ansel Adams, Barbara Kruger, Bruce Nauman, Carleton Watkins, Caspar David Friedrich, Cathy Opie, Charles Ray, Charlie White, Christopher Williams, Doris Ulmann, Ed Ruscha, Edward Weston, Eliot Porter, Gillian Wearing, James Welling, Jan Groover, Jeff Wall, Larry Sultan, Martha Rosler, Nan Goldin, Paul Outerbridge, Paul Strand, Richard Prince, Robert Adams, Robert Bechtle, Robert Mapplethorpe, Rodney Graham, Roe Etheridge, Roger Fenton, Sharon Lockhart, Sherrie Levine, Soo Kim, Thomas Ruff, Thomas Struth, Walker Evans, Wallace Black
Art Reviews of Disavowal
| New York Times May 2, 2008 | Roberta Smith | "In a sense this art is largely curatorial, but the contrasts in time, subject, sensibility, reproduction techniques and extracted meanings sustain interest much longer than expected. Mr. Wyse knows what he is doing and does it well. Surprisingly, it isn’t, quite, what anyone else is doing...." |
Books and DVDs related to artists in this show
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