![]() | From Into the Future at Winkleman Gallery. |
| Into the Future at Winkleman Gallery | Jun 15, 2006 | - | Jul 29, 2006 |
| Plus Ultra Gallery is extremely pleased to present Into the Future, the first New York solo exhibition by Kyrgyz artists Gulnara Kasmalieva and Muratbek Djumaliev. Collaborating for many years, the husband-wife artists are renowned for their document... |
| Posted: 2007-02-13 | |
Winkleman Gallery is very pleased to announce the solo exhibition of husband-wife artists, Gulnara Kasmalieva and Muratbek Djumaliev, at the Art Institute of Chicago, February 1 to May 6, 2007:
For their Focus exhibition, Kasmalieva and Djumaliev will debut a new, multichannel video and photographic installation, A New Silk Road (2006), created especially for the Art Institute. The project follows the extensive scrap-metal trade via truck caravans traveling through the high mountain passes between Kyrgyzstan and China. With almost no manufacturing infrastructure and limited funding for building and growth, Kyrgyzstan’s role remains that of trader, the middle man between China’s booming production and countries such as Russia and Kazakhstan that are in the economic position to support the vigorous importation of consumer goods. Eschewing nostalgia for the historical Silk Road era, Kasmalieva and Djumaliev instead foreground the current, arguably hard, existences faced by the communities along these well-worn trade routes. Also on view will be the three-channel video installation Trans-Siberian Amazons (2004). Shot during a tour through Siberia organized by the artists to encourage artistic and cultural exchange, this work portrays two elderly women traders who undertake the arduous task of hauling domestic goods by train across Central Asia. Previously employed in the professional sector, these women and others like them have been forced, as a result of post-Soviet economic devastation, to create new, transient economies based on small-scale trade and transport in order to support their families. The video captures the protagonists’ yearning for times gone by, as they pass the time mournfully singing the Soviet songs of their youth in the dim confines of the train car. At its essence, the practice of Kasmalieva and Djumaliev redefines the terms of art in the face of what the latter refers to as “the collective phobia, skepticism, and disappointment” that pervades the milieu they inhabit. Melding the poetic with the political, they employ beautifully haunting imagery with minimal narrative structure in order to recount poignant tales of human struggle, perseverance, and hope for the future. Gulnara Kasmalieva & Muratbek Djumaliev February 1 to May 6, 2007 Art Institute of Chicago Museum 111 South Michigan Avenue Chicago, Illinois, 60603 | |
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