| Artists Choice at Atlantic Gallery | Jan 22, 2008 | - | Feb 5, 2008 |
| The perspective of artists on other artists is often very personal. Their own creative explorations and careers inform their views. Are they more or less influenced by museum curators, gallery trends, and art critics than others? Do they gravitate... | |||
| New Prints Autumn 2007 at IPCNY - International Print Center New York | Nov 1, 2007 | - | Dec 19, 2007 |
| International Print Center New York presents NEW PRINTS: Autumn 2007, the 25th presentation of our New Prints Program, from November 1 – December 19th . Consisting of 52 works by 41 artists, the exhibition represents a cross-section of some of the mo... |
| Posted: 2007-12-12 | |
BIOGRAPHY
Eduardo Fausti was born in Argentina in 1954 and attended the University of Mendoza, Argentina where his architectural studies were interrupted during the years of totalitarian rule. He emigrated to the United States in 1978 and settled in New York. In 1988 he moved to California where he resumed studies and received his B.F.A. from the San Francisco Art Institute in 1993. An interest in Asian philosophy and aesthetics moved Fausti to attend the China National Academy of Fine Arts in Hangzhou, People's Republic of China, in 1995. In 1997, Fausti received his M.F.A. from Rutgers University, NJ, and was the recipient of the Patricia Roberts Harris Fellowship in visual arts. That same year, Fausti participated in a Rutgers Center for Innovative Print and Paper and CARE International funded project to establish an ecological hand-made paper mill in Ecuador. Fausti has been a resident artist in Belgium, Italy, and Morocco. He has participated in numerous national and international juried and biennial print exhibitions. In addition, his work is represented in a number of museums and public collections such as the Library of Congress, Washington, DC; the New York Public Library, New York, NY; The Metropolitan Museum of Art, New York, NY, and the Boston Museum of Fine Arts, Boston, MA. STATEMENT These portraits are three in a series of several mezzotints of elderly women’s faces. The features in their faces reveal a long life of social challenges and family achievements. I’m trying to capture their dignified and almost unemotional expressions and see them as common denominators of other women’s faces from different cultural and racial backgrounds (also part of the same series). My intention, as well, is to represent these ordinary and unknown women as relevant historical figures and reflect in them a sense of pride and importance that may only be known by their peers and family. | |
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