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Email PageIvan Navarro
Sample work by Ivan Navarro
 | Wall Hole (2004) Fluorescent tubes and fixtures, painted wood box, mirrors 28 x 28 x 5 inches Edition of 3 From World without End at McKenzie Fine Art. |
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Galleries showing Ivan Navarro
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Shows with Ivan Navarro
| Concentration Camp at Roebling Hall | Nov 17, 2006 | - | Jan 10, 2007 |
| Roebling Hall is pleased to present its second solo exhibition by Ivan Navarro. Titled, “Concentration Camp,” Navarro’s luminescent light based sculptures work in contrast to their darker themes of control and fear. Using lighting and industrial mate... | |||
| World without End at McKenzie Fine Art | Jun 8, 2006 | - | Jul 29, 2006 |
| The infinite is a concept which people have struggled to grasp and to communicate since the beginning of self-conscious thought. Mythology, religion, cosmology, philosophy, and science all provide conceptual models of infinity which visual artists ha... |
Ivan Navarro Auction Archive
| 2008 | 4 lots (4 results, 0% unsold) |  |
| 2007 | 2 lots (2 results, 0% unsold) | |
Auction Results
| Premium is the auction house commission. It is added to the winning bid and charged to the buyer. To allow a comparison of winning bids and auction house estimates, the amounts below do not include buyer's premium, unless explicitly stated. Only contemporary art auctions after November 1, 2006 are included. The results do not include all actions at all auction houses. |
| Phillips De Pury, Contemporary Art Part II, New York, November 14, 2008 | ||||||||
| Lot: 290 |  | Red Holeway Red incandescent light bulbs, aluminum door with ... more | Estimate: $25,000 - $35,000
| $28,000 | ||||
| Phillips De Pury, Contemporary Art Part II, New York, May 16, 2008 | ||||||||
| Lot: 223 |  | White Electric Chair (2005) | Estimate: $20,000 - $30,000
| $28,000 | ||||
| Lot: 306 |  | White Edge (2007) | Estimate: $18,000 - $25,000
| $80,000 | ||||
| Phillips De Pury, Under the Influence, New York, March 31, 2008 | ||||||||
| Lot: 2 |  | Homeless Lamp, the Juice Sucke... (2005) | Estimate: $20,000 - $30,000
| $19,000 | ||||
| Phillips De Pury, Contemporary Art Part II, New York, November 16, 2007 | ||||||||
| Lot: 137 |  | Red Holeway (2005) | Estimate: $30,000 - $40,000
| $38,000 | ||||
| Phillips De Pury, Contemporary Art Part II, New York, May 18, 2007 | ||||||||
| Lot: 161 |  | Shortcuts (2005) | Estimate: $15,000 - $20,000
| $70,000 | ||||
More Information
| Posted: 2006-07-06 | |
Roebling Hall is proud to announce Iva´n Navarro in Traces at Whitney Museum at Altria
Iván Navarro’s sculptural installation consists of a large-scale, black cubic space in which viewers enter to find a set of illusional mirrored sculptures infinitely reflecting text and light. Accompanied by a sound component, the work exists as both singular sculpture and also immersive environment in the Sculpture Court. Drawing from the legacy of Minimalism, Navarro explores the viewer’s subjective encounters with formal composition and highlights the play of perception and memory. WHITNEY AT ALTRIA TO OPEN TRACE June 30 – November 12, 2006 Featuring new works by Jedediah Caesar, Shannon Ebner, Iván Navarro, Karyn Olivier, Michael Queenland, and Karlis Rekevics >From June 30 through November 12, 2006, the Whitney Museum of American Art at Altria presents Trace: Jedediah Caesar, Shannon Ebner, Iván Navarro, Karyn Olivier, Michael Queenland, and Karlis Rekevics, featuring six artists who deal in various ways with the idea of the spectral trace, the absent object, and how the invisible—time, memory, desire—shapes our material reality. A pervasive sense of loss and tragedy links a number of these works, but they also possess a kind of sublime memorialization. Occupying both the Gallery and Sculpture Court, the exhibition features new work by Jedediah Caesar, Shannon Ebner, Iván Navarro, Karyn Olivier, Michael Queenland, and Karlis Rekevics. This exhibition is organized by Shamim M. Momin, Associate Curator, Whitney Museum of America Art, and Branch Director and Curator, Whitney Museum of American Art at Altria. Jedediah Caesar’s geode sculptures made from resin, dust, and detritus collected from his studio constitute a material archive of time and the subtle accrual of remnant objects. Cast from molds based on the schematic diameter of an earlier geode piece and encrusted with salt crystals and plaster forms that grow like barnacles from the surface, the new work functions both as a reflection of the past, a cross section of the ephemeral present, and a ghostly suggestion of future forms. | |
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