Timothy Hutchings

The Newark Arts Council is pleased to announce the opening of Red Badge of Courage, on Sunday, October 28th when it will present new work by 66 artists from New Jersey, New York and abroad in a 13,000 square foot space in downtown Newark .

Curated by Omar Lopez-Chahoud, the exhibition is based on the life and work of 19th century writer/poet/journalist Stephen Crane, a native of Newark. Although he died young, at age 28, Crane's work and life have inspired many artists throughout the years: His portrait was used by the Beatles on the cover of their album Sgt. Pepper's Lonely Hearts Club Band. The 2001 film The Dark Riders was based on a Crane poem. And there have been a number of film versions of The Red Badge of Courage, the most famous of which was directed by John Huston and released in 1951. The Red Badge of Courage tells the story of a young man's life as a soldier during the American Civil War.

Exhibition Record
(“*” indicates solo show)

2007 untitled group show, D.E.N. Contemporary, Los Angeles, California

2006 *Object and Non-Object, Karl Drerup Gallery, Plymouth, New Hampshire

*The World's Largest Miniatures Wargame Table, Real Art Ways,
Hartford, Connecticut

Small Group Format, Truman State University, Kirksville, Missouri

Swingspace Open House, Lower Manhattan Cultural Council, NYC

realpARTy, Real Art Ways, Hartford, Connecticut

I Love Exit Art, Exit Art, New York City

2005 Art Video Lounge, Videotheque, Art Basel Miami Beach, Miami, FL


Crash, Pause, Rewind, Western Bridge, Seattle, Washington

New Labor; Neutral Capital, Columbia University, New York City

Sea Fight!, The Map Room, Portland, Maine

Ars Digital 2004: I Click, Therefore I am, Moscow Biennial
curated by Joulia Strauss

Baroques and Neo-Baroques: Hell of the Beautiful,
Centro de Arte de Salamanca, Salamanca, Spain

Art in the Age of New Technologies, Armenian Center for Contemporary
Experimental Art, Yerevan, Armenia, curated by Eva Khachatrian

The Kids Have ADD, Wizard Electroland, Brooklyn, New York City
Curated by Birgit Rathborn

Jianghu 3: An Exhibition of Experimental and Documentary Video Art, Kunming, China

Loop '05, Barcelona, Spain



2004 *The Captain Hates the Sea, I-20 Gallery, New York City

*A Lark in the Larkin, Loop ’04, Barcelona, Spain


*Timothy Hutchings, Project Room, Bodybuilder & Sportsman Gallery, Chicago, Illinois

Cicle de Video Focus: Desde Los Anos Setenta Hasta El Ano 2002,
Museo de Arte Contemporaneo, Patio Herreriano, Barcelona

Supersalon, SamSon Projects, Boston
The Iowa Biennial of Contemporary Miniature Prints,
University of Iowa, traveling exhibition

Videodrome, Bates Museum of Art, Lewiston, Maine and
the Santa Barbara Contemporary Arts Forum, Santa Barbara, CA

2003 *Arm in Arm in Arm in Arm, I-20 Gallery, New York City

Espacios a la Experimentación, El Museo de Arte y
Diseño Contemporáneo, San José, Costa Rica

VideoEx, Zurich, Switzerland

Solon y Coloquio Internacional de Arte Digital, Havana, Cuba

Collection of the Associazione Artissima, Turin, Italy
Centro Reina Sofia, Madrid, Spain

The Pretendlings, New Langton Arts, San Francisco, CA

Dancing in the Dark, Aljira Center for Contemporary Art, Newark

Art for Life 2003, Estate of Russell Simmons, Easthampton, New York

VideoEx, Zurich, Switzerland

Not Myself, New Langton Arts, San Francisco, CA

Warning/Happenings, a conceptual concert by David T. Little
Stretansky Hall, Susquehanna University, Pennsylvania

2002 *Go West, The Bonsack Gallery, St. Louis, Missouri

Seeing by Wireless, Hastings Museum and Gallery, Hastings, United Kingdom

For Real, Woodstreet Galleries, Pittsburgh

Self-Portraits From the Bill and Ruth True Collection,
The Wright Exhibition Space, Portland, Oregon

Videodrome II, New Museum of Contemporary Art, New York

Ramallah Video Festival, Ramallah, Palestine

Art Forum Berlin 2002, Berlin, Germany

Metropolis Now, Centro Reina Sofia, Madrid, Spain?
SUBMERGE, Kunstebunker Forum for Zeitgenossische Kunst, Nurnberg, Germany. Curated by Eva Scharrer. (cat)

Faux Real, Borusan Cultural Center, Istanbul, Turkey (cat.) Curated by Elga Wimmer.
Friends and Relatives, Lombard Fried Gallery, New York

Hash Brown Potatoes, Smack Mellon Gallery, Brooklyn, New York

The Armory Show 2002, New York

Cutting Edge, ARCO, Madrid, Spain

PLAYGROUND, The Standard Projection: 247, The Standard, Los Angeles, California. Curated by Yvonne Force and Loren Mindak

2001 *The Arsenal at Danzig and Other Views, I-20 Gallery, New York

B Hotel, P.S.1/MoMA Contemporary Art Center, Long Island City, NY.

Berlin Art Fair, I-20, Berlin, Germany

Ha Ha Hah, Quotidian Gallery, San Francisco, California

la perruque, OfficeSpace Gallery, San Francisco, California

Another Day on Planet Earth, Dechiara Stewart Galley, New York City, New York

2000 *Slapstick, Cranbrook Academy of Art, Bloomfield Hills, Michigan

Greater New York, P.S.1 Contemporary Art Center, New York City

Sidelong Glance, Im N iL Gallery, Brookly, New York

1999 Persuasion, Lombard-Fried Fine Arts, New York City

Keep Fit, Be Happy, Dechiara Stewart Gallery, New York

Parking, May Day Productions, Highbridge Park, New York

Some Young New Yorkers, P.S.1 Contemporary Art Center, New York City

Ground Control, Lombard-Freid Fine Art, New York



1998 Some Young New Yorkers, P.S.1 Contemporary Art Center, New York City

Dissin’ the Real, Lombard Freid Fine Arts, New York City
And Galerie Krinzinger, Vienna

Ground Control, Lombard Freid Fine Arts, New York City

Head Stand, Elga Wimmer Gallery, New York City

Selected Video, DNA gallery, Provincetown, Massachusetts

Skowhegan Benefit, David Beitzel Gallery, New York City



Grants and Awards

2005 Lower Manhattan Cultural Council Swing Space Grant

2002 New York Foundation for the Arts Fellowship

1998 Yale University School of Art Oil Bar Prize


Residencies

2002 Aljirah Emerge 2002 Program

The Atlantic Center for the Arts, New Smyrna Beach, Florida
With Dennis Oppenheim

2000 Civatella Ranieri Fellow, Sponsored by William Kentridge and
The Atlantic Center for the Arts, New Smyrna Beach, Florida

1996 Skowhegan School of Painting and Sculpture











Selected Bibliography

2006

Miller, Lauren. "Artists Draw Attention", Truman State University Index,
January 26, 2006

2005

Finch, Charlie. “The Museum Comes to Us: Art in 2050,” Artnet.com, February, ‘05

Hackett, Regina, “Western Bridge’s Crash, Pause, Rewind..”, Oct 21, 2005

Macu, Moran. “Loop ’04 Barcelona,” Artnet.com, January 6, 2005

Paige, Ian, “Let’s Fight”, The Portland Phoenix, Oct 21 – 27, 2005

Peters, Sue, "Culture Crash", Seattle Weekly, Dec. 14, 2005

2004

Camper, Fred, “Timothy Hutchings…” Chicago Reader, January 30th, 2004

Chicago Reader, January 16, 2004 (Illus.)

Green, Ian, “Loop, Videophilia”, Art Fairs International, 2004

Levin, Kim. “Voice Choices,” The Village Voice, November 10-16, 2004


Zoltak, Benjamin, “New Work from Don Doe and Timothy Hutchings,” Red Streak, February 12, 2004

2003

Dancing in the Dark, Part I, Aljira Center for Contemporary Art, Newark 2003 (catalogue)

Levin, Kim, “Voice Choices,” the Village Voice, May 14-20, 2003

Sasaki, Mina, Review, Vis a Vision Television, Tokyo, Japan, July 2003

SUBMERGE, Kunstebunker Forum fŸr Zeitgenšssische Kunst, Curated by Eva Scharrer. NŸrnberg, Germany. (catalogue)

Wilson, Michael “Timothy Hutchings,” Artforum 2003

Wimmer, Elga Faux Real (catalogue)
Home page. “Timothy Hutchings at I-20 Gallery,” www.artnet.com, May 16, 2003




2002

Beccaria, Marcella. “The Arsenal at Danzig and Other Views,” ARCO Magazine (April 2002)

Cotter, Holland. Review. “Hash Brown Potatoes” at Smack Mellon Gallery, Brooklyn, New York Times, July 12, 2002

Fink, Courtney. “Sneaking Time”, http://www.stretcher.org February 2002

Hackett, Regina, “Artists Play With Images to Close the Gap Between Life and Art,” Seattle Post-Intelligencer, July 4, 2002

Hoffman, Leslie. “Skewed Perspectives.” Pittsburgh Pulp http://www.pittsburghpulp.com/content/2002/11_28/arts_art.shtml

Videodrome II, New Museum of Contemporary Art, New York. 2002 (catalogue
Gioni, Massimiliano. “New York Cut Up: Art Fragments from the Big Apple,” Flash Art (January-February 2002): 61-64

Mooney, Chris. “Lost Buildings and Renewed Vision. A Mediation on Destruction in Video, Sculpture and Music,” NY Arts (February 2002): 65; http://www.nyartsmagazine.com

Spalding, David. La Perruqueí at the office/gallery,” Artweek (December 2001 - January 2001): 15-16

Thomas, Mary. “Art Review: Artists make their own reality in digital realism,” Pittsburgh Post-Gazette. http://www.pittsburghpost-gazette.com/ae/20021207thomas1207fnp6.asp

Urban, Regina. “New York im untergrund,” Nurnburger Nachrichten, April 11, 2002 (Germany)
Wimmer, Elga. “Sahte/GerÁek,” Arkitera, October 2002.

2001

Fels, Sophie. “New York Critics Picks: Timothy Hutchings,” www.Artforum.com (December 2001)

Fink, Cortney. “Sneaking Time.” Review of “La perruque (the wig),” at the
office/gallery, San Francisco,” http://www.Stretcher.org

Giuliano, Charles. “The Pulse,” NY Arts (December 2001):

Johnson, Ken. “Art Guide: Timothy Hutchings,” New York Times, November 30, 2001

Levin, Kim. “Voice Choices,” The Village Voice, November 27, 2001

Levin, kim. “Voice Choices: Artists Haunted by History,” The Village Voice,
November 27, 2001



2000

Greater New York, P.S.1/MoMA Contemporary Art Center, (catalogue)

1999

Henry, Max. “At the Galleries: Keep Fit Be Happy,” Flash Art
(October 1999): 57 (Illus.)

“Keep Fit Be Happy,” New York Contemporary Art Report (July 1999) (illu.)

Spalding, David. ‘La Perruque’ at the office/gallery,” Artweek (December, 2001 – January, 2001): 15-16


1998

Rockwell, S. “Headstand,” dArt International (Fall 1998) (illus.)

Adamson, Glenn. “Timothy Hutchings,” NYArts (March 1998): 32 (Illus.)

Adamson, Glenn. Headstand, Elga Wimmer Gallery, 1998 catalogue

Smith, Roberta. “Headstand,” The New Yorker, August 24-31, 1998

Smith, Roberta. Review: “Headstand,” New York Times, August 4, 1998

Aigner, Claudia von. “Gulliver Complex and Mr. Sandman,” Wiener Zeitung,
June 6, 1998 (Vienna, Austria)


Bronner, Oscar. “Von Endorophinen, Salzgurken, und Stromstossen,”
Der Standard, June 5, 1998 (Vienna, Austria)


Hofleitner, Johnna von. “KrinzingerÖDissiní the Real, Die Presse,
June 5, 1998 (Vienna, Austria)

Saustep, K. “Minimalsport mit Erwin Wurm und vieles mehr,” Kurrier,
June 6, 1998 (Vienna, Austria)

Heiss, Alana. “Greater New York,” NYArts (March 1998)

Levin, K. “Headstand Recommended,” Village Voice (March 1998)

Levin, K. “Dissiní the Real Recommended,” Village Voice (March 1998)

“Dissin the Real,” Time Out New York (March 1998) (illus.) Updated: 2006-05-12